<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Davido on The Tradewinds Brief</title><link>https://tradewindsbrief.com/tags/davido/</link><description>Recent content in Davido on The Tradewinds Brief</description><image><title>The Tradewinds Brief</title><url>https://tradewindsbrief.com/images/brand/og-default.png</url><link>https://tradewindsbrief.com/images/brand/og-default.png</link></image><generator>Hugo -- 0.142.0</generator><language>en-us</language><lastBuildDate>Sat, 18 Apr 2026 08:00:00 +0000</lastBuildDate><atom:link href="https://tradewindsbrief.com/tags/davido/index.xml" rel="self" type="application/rss+xml"/><item><title>The Naija Lookbook: How Burna Boy, Davido, and Wizkid Built a Global Music Industry From Lagos in Under a Decade</title><link>https://tradewindsbrief.com/posts/gdb_2026-04-18_naija_lookbook/</link><pubDate>Sat, 18 Apr 2026 08:00:00 +0000</pubDate><guid>https://tradewindsbrief.com/posts/gdb_2026-04-18_naija_lookbook/</guid><description>&lt;h1 id="the-naija-lookbook-how-burna-boy-davido-and-wizkid-built-a-global-music-industry-from-lagos-in-under-a-decade">The Naija Lookbook: How Burna Boy, Davido, and Wizkid Built a Global Music Industry From Lagos in Under a Decade&lt;/h1>
&lt;p>&lt;strong>The Naija Lookbook goes beyond the headlines. What Nigeria does better than anyone — with the receipts.&lt;/strong>&lt;/p>
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&lt;p>Ten years ago, if you told a Universal Music executive in Los Angeles that a song recorded in Lagos would hit number one in fifteen countries simultaneously, he would have laughed. Nigerian music was a regional category. It had Fela Kuti in the canon and a diaspora audience in London and New York. But it was not, in any serious industrial sense, a global music business.&lt;/p></description></item></channel></rss>